Metropolitan Museum: part 3 – Attributed to Edmund C. Coates - Bay and Harbor of New York from Bedlow’s Island
Attributed to Edmund C. Coates: 1816–ca. 1871 1850–60; Oil on canvas; 18 x 24 in. (45.7 x 61 cm)
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The cityscape itself is rendered with less detail than the foreground elements, appearing as a hazy accumulation of buildings under a pale sky. The atmospheric perspective employed softens the details of the distant structures, creating a sense of depth and vastness. A band of light reflects on the water’s surface, contributing to the overall luminosity of the scene.
The artists choice of color palette is notable. Predominantly muted greens and yellows characterize the landscape, with touches of brown in the foreground structure and hints of blue in the sky. The subdued tones contribute to a feeling of tranquility and perhaps even nostalgia. The light, while present, isn’t harsh; it lends an air of gentle observation rather than dramatic emphasis.
Subtextually, the painting seems to convey themes of national pride and maritime power. The presence of the flag and the prominent sailing vessel suggest a focus on American identity and its connection to the sea. The fortification implies protection and security, while the bustling harbor hints at commerce and expansion. The distant cityscape, though indistinct, represents progress and opportunity. Overall, the work evokes a sense of looking back at a period of growth and development for the nation, viewed through a lens of quiet contemplation.