Metropolitan Museum: part 3 – Camille Corot - Waterfall at Terni
Camille Corot: French, Paris 1796–1875 Paris 1826; Oil on paper, laid down on wood; 10 1/2 x 12 1/8 in. (26.7 x 30.8 cm)
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The light source appears to be diffused, illuminating the waterfall itself and casting soft shadows across the vegetation. The artist has captured the movement of the water through varying tones of white and grey, creating a shimmering effect that conveys its fluidity and power. A sense of atmospheric perspective is achieved through subtle shifts in color; distant mountains are rendered with cooler blues and greys, receding into the background.
The lower portion of the painting depicts an open area covered in grass, which leads the eye towards the base of the waterfall. The ground appears damp, reflecting the moisture from the cascade. A small patch of reddish-brown earth is visible near the bottom right corner, adding a touch of warmth to the otherwise cool palette.
Beyond the immediate depiction of natures grandeur, the painting evokes a feeling of tranquility and contemplation. The scale of the waterfall dwarfs any potential human presence, emphasizing the power and timelessness of the natural world. There’s an underlying sense of melancholy; the dense foliage and muted colors contribute to a mood that is both serene and slightly somber. It suggests a moment suspended in time, inviting quiet observation and reflection on the relationship between humanity and nature. The artists technique – characterized by loose brushwork and a focus on capturing atmospheric effects – implies an interest not just in representing what is seen, but also in conveying a subjective emotional response to it.