Metropolitan Museum: part 3 – Salvator Rosa 1615–1673 Rome) - Bandits on a Rocky Coast
Salvator Rosa 1615–1673 Rome): Italian, Arenella (Naples 1655–60; Oil on canvas; 29 1/2 x 39 3/8 in. (74.9 x 100 cm)
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The artist has skillfully employed chiaroscuro to heighten the drama. Strong contrasts between light and shadow sculpt the forms of both the figures and the surrounding terrain. The bandits themselves are partially illuminated, allowing for details of their attire – ragged clothing, weaponry – to be discerned. Their postures suggest a mixture of vigilance and casual confidence; some appear to be observing something beyond the frame, while others relax with an air of dominance over their surroundings.
The landscape is rendered with considerable detail, emphasizing its inhospitable nature. Jagged rocks jut from the water’s edge, and dense vegetation clings to the steep slopes that rise on the right side of the canvas. The sky above is turbulent, filled with dramatic cloud formations that contribute to the overall sense of foreboding. A single, bare tree stands starkly against the skyline, further reinforcing the feeling of isolation and wildness.
Beyond the immediate group of bandits, other figures are visible in the mid-ground, seemingly engaged in some form of interaction or negotiation. Their presence hints at a larger narrative unfolding – perhaps a confrontation, a transaction, or an exchange of information. The distant shoreline suggests a wider world beyond this isolated locale, but it remains largely obscured by atmospheric perspective and distance.
Subtextually, the painting explores themes of social disorder and the precariousness of civilization. The bandits represent a rejection of societal norms and laws, finding refuge in the wilderness. The rugged landscape itself becomes symbolic of their freedom and independence, while also suggesting the harsh realities of survival outside established structures. The dramatic lighting and turbulent sky contribute to an atmosphere of uncertainty and potential violence, implying that this world operates according to its own rules, far removed from the order of settled society. The scene evokes a sense of moral ambiguity; while the bandits are clearly transgressors, their existence also raises questions about the nature of justice and the conditions that drive individuals to live outside the law.