Metropolitan Museum: part 3 – Jean-Frédéric Bazille - Porte de la Reine at Aigues-Mortes
Jean-Frédéric Bazille: French, Montpellier 1841–1870 Beaune-la-Rolande 1867; Oil on canvas; 31 3/4 x 39 1/4 in. (80.6 x 99.7 cm)
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The lower portion of the painting depicts a grassy expanse leading towards the gatehouse. The lawn’s color varies from deep emerald to lighter shades, indicating subtle shifts in light and terrain. Several figures populate this space. A man on horseback stands near two other individuals, one of whom is dressed in red; their postures suggest a moment of rest or observation. To the right, a white horse grazes peacefully, while a reclining figure, presumably male, rests upon the grass, seemingly absorbed in leisure. A small dog lies nearby.
The artist’s use of color contributes to the overall atmosphere. The muted tones of the stone structure contrast with the vibrant green of the lawn and the touches of red clothing, drawing attention to specific elements within the scene. The light appears diffused, casting soft shadows and avoiding harsh contrasts.
Subtly, the work conveys a sense of tranquility and timelessness. The imposing architecture speaks to history and permanence, while the figures engaged in everyday activities suggest an enduring human presence within this historical context. There is a deliberate juxtaposition between the grandeur of the fortification and the casual repose of those present; it implies a relationship between humanity and its constructed environment – a quiet acceptance of power and a simultaneous enjoyment of simple pleasures. The scene evokes a feeling of stillness, as if time has paused within this enclosed space.