Lucas Cranach the Younger – Nymph of the Spring Metropolitan Museum: part 2

The composition presents a reclining female figure within a carefully constructed landscape setting. The woman occupies the foreground, positioned on what appears to be a cushion or draped fabric of deep crimson hue. Her posture is relaxed and languid; she rests upon one elbow, her gaze directed towards the viewer with an expression that suggests both serenity and perhaps a touch of detached amusement. A string of pearls adorns her neck, drawing attention to her upper body and contributing to an overall sense of opulence.
The landscape behind her unfolds in layers. Immediately beyond the foreground vegetation, a still body of water reflects the sky above, creating a visual doubling effect that enhances the depth of the scene. Further back, trees frame the view, leading the eye towards a distant village nestled amongst rolling hills. The perspective is somewhat flattened, characteristic of Northern Renaissance painting, which prioritizes detail and clarity over strict adherence to linear perspective.
A bow and quiver are placed against a tree trunk near the woman’s head, hinting at an association with Diana or Artemis, goddesses linked to hunting and wilderness. A small dog sits attentively nearby, further reinforcing this connection to nature and perhaps suggesting fidelity or companionship.
Above the scene, inscribed in Latin (FONTIS NYMPHA SACRI SOMNUM NERVMPE QVIESCO), a caption provides a textual layer that adds complexity to the interpretation. The phrase suggests a nymph of a sacred spring is experiencing a tranquil sleep, affecting her nerves. This inscription invites contemplation on themes of natures power and its influence on human emotions or states of being.
The color palette is dominated by greens and blues, evoking a sense of freshness and tranquility. The artist’s meticulous attention to detail – the individual blades of grass, the ripples in the water, the texture of the fabric – creates a highly realistic depiction while maintaining an idealized aesthetic. The work seems to explore themes of beauty, nature, mythology, and perhaps even the relationship between human consciousness and the natural world.