Metropolitan Museum: part 2 – Édouard Vuillard - Jos and Lucie Hessel in the Small Salon, Rue de Rivoli
Édouard Vuillard: French, Cuiseaux 1868–1940 La Baule ca. 1900–1905; Oil on cardboard mounted on canvas; 14 1/2 x 22 3/8in. (36.8 x 56.8cm)
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The second figure, positioned further back and partially obscured by a draped table, seems engaged in similar activity – possibly reading or writing. The arrangement of furniture suggests an intimate setting, one designed for quiet contemplation rather than grand display. A low-backed sofa dominates the background, its pink hue providing a visual counterpoint to the prevailing ochre tones.
The walls are densely populated with framed pictures, creating a sense of accumulated history and personal taste. These artworks, though indistinct in their subject matter, contribute significantly to the overall atmosphere of refinement and intellectual curiosity. The artist’s use of color is notable; he favors muted yellows, browns, and pinks, which create a warm, enveloping ambiance.
The application of paint is loose and impressionistic, with visible brushwork that lends a sense of immediacy and spontaneity to the scene. Theres an intentional blurring of edges, softening the contours of objects and figures alike. This technique contributes to the feeling of a fleeting moment captured in time – a glimpse into the private lives of those inhabiting this space.
Subtly, the painting hints at themes of leisure, intellectual pursuits, and domesticity. The absence of any overt narrative allows for multiple interpretations; it could be read as a celebration of quiet moments or an exploration of the complexities of personal relationships within a confined environment. The overall effect is one of understated elegance and introspective calm.