Metropolitan Museum: part 2 – Giovanni Battista Tiepolo - The Glorification of the Barbaro Family
Giovanni Battista Tiepolo: Italian, Venice 1696–1770 Madrid ca. 1750; Oil on canvas; Irregular oval, 96 x 183 3/4 in. (243.8 x 466.7 cm)
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Several cherubic figures populate the upper portion of the scene; one blows a trumpet from above, seemingly announcing the arrival or triumph of those below. Their placement reinforces a sense of divine blessing and auspiciousness. The sky itself is rendered with swirling brushstrokes that suggest movement and ethereal light, creating an illusion of depth and vastness.
The figures on the barge are draped in flowing robes, indicative of status and importance. A woman seated prominently within the group appears to be receiving attention from a male figure who gestures towards her. The expressions on their faces convey a mixture of reverence and pride. Other individuals surrounding them seem to participate in the celebratory atmosphere, some gesturing or looking on with admiration.
To the left, a seated female figure, clad in blue, observes the scene with an expression that is difficult to decipher – it could be one of contemplation, perhaps even subtle skepticism. This element introduces a note of ambiguity into what otherwise appears as unreserved rejoicing. The presence of architectural elements – columns and fragments of classical structures – are integrated into the lower right corner, grounding the fantastical scene in a recognizable world while simultaneously suggesting an association with antiquity and established power.
The overall effect is one of carefully orchestrated spectacle designed to convey prestige and lineage. It’s likely that this work served as a visual declaration of status, intended to legitimize or celebrate the position of a prominent family within their social hierarchy. The inclusion of classical motifs and divine figures suggests an aspiration towards timelessness and a connection to established cultural values.