Metropolitan Museum: part 2 – Luca Signorelli and Workshop - The Assumption of the Virgin with Saints Michael and Benedict
Luca Signorelli and Workshop: Italian, Cortona, active by 1470–died 1523 Cortona late 1480s; Oil and gold on wood; 67 1/4 x 51 3/4 in. (170.8 x 131.4 cm)
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To the left stands a warrior clad in armor, his stance suggesting both readiness and authority. He wields a long spear, its point aimed downwards toward a diminutive, struggling figure at his feet. This lower figure appears to be a demonic entity, bound or restrained by the warrior’s weapon, symbolizing triumph over evil. The color palette of this left side is dominated by cool tones – greens, blues, and silver – contrasting with the warmer hues on the right.
On the right, an older man in monastic robes stands calmly, holding what appears to be a book or manuscript. His face is deeply lined, conveying wisdom and experience. The lighting here emphasizes his age and solemnity, creating a sense of quiet contemplation.
Above the central figure, a group of angels are depicted in flight, their forms rendered with delicate detail and ethereal grace. They contribute to the overall impression of divine ascension and heavenly glory. The artist employed a hierarchical arrangement; the central figure is elevated both physically and symbolically, dominating the visual field and drawing the viewers eye.
The painting’s subtexts likely revolve around themes of faith, redemption, and the struggle between good and evil. The warrior’s victory over the demonic figure suggests divine intervention and protection from malevolent forces. The presence of the monastic figure implies a connection to scholarship, piety, and spiritual guidance. The overall effect is one of solemn reverence and hope, conveying a narrative of salvation and heavenly reward. The use of light – particularly the radiant halo surrounding the central figure – serves to emphasize her sanctity and divine nature.