Metropolitan Museum: part 2 – Raphael (Italian, Urbino 1483–1520 Rome) - The Agony in the Garden
Raphael (Italian, Urbino 1483–1520 Rome): Raffaello Sanzio or Santi Oil on wood; 9 1/2 x 11 3/8 in. (24.1 x 28.9 cm)
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Around this central figure are three other men, positioned on the left side of the frame. They appear to be asleep or in a state of deep slumber, their bodies slumped against a grassy incline. Their garments – a mix of yellows, blues, and greens – offer a contrast to the darker tones dominating the central figure’s attire. The artist has used subtle shading to suggest depth and volume within their forms, contributing to an overall sense of realism.
The landscape itself is rendered with a muted palette, dominated by earthy browns and greens. A distant horizon line suggests a vastness that dwarfs the figures below, reinforcing the feeling of isolation and despair. To the right, a rocky outcrop rises, adding visual complexity to the scene. Above, in the upper portion of the painting, an angelic figure holds aloft what appears to be a chalice or cup, bathed in a soft light. This element introduces a note of hope or divine grace amidst the prevailing atmosphere of sorrow.
The subtexts within this work are layered and complex. The central figure’s posture suggests a moment of intense spiritual struggle – a plea for strength in the face of an impending ordeal. The sleeping figures, seemingly oblivious to his distress, could represent the faithlessness of humanity or the burden of leadership when faced with difficult choices. The angelic presence above hints at divine support and the promise of redemption, even within moments of profound suffering. The overall effect is one of quiet contemplation, inviting viewers to consider themes of sacrifice, faith, and the human condition.