Metropolitan Museum: part 2 – Nicolas Poussin - Midas Washing at the Source of the Pactolus
Nicolas Poussin: French, Les Andelys 1594–1665 Rome ca. 1627; Oil on canvas; 38 3/8 x 28 5/8 in. (97.5 x 72.7 cm)
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The primary focus rests on a male figure kneeling at the waters edge. He is actively engaged in washing his hands, an action imbued with significant symbolic weight given the narrative context. His posture conveys distress or regret; he leans forward, his gaze directed downwards towards the water. A second man lies prone nearby, seemingly observing the first’s actions. This figure is draped partially in a red cloth, which adds a note of theatricality to the scene and draws attention to his position as a witness.
A third, smaller figure is positioned at the lower right corner of the image. He appears to be an infant or young child, also engaged in washing, though with less intensity than the central man. This inclusion suggests a generational consequence or a broader impact of the event being depicted. The presence of foliage and laurel wreaths adorning some figures hints at themes of royalty, divine favor, or perhaps even a tragic downfall.
The landscape itself is rendered with meticulous detail, emphasizing the ruggedness and natural power of the setting. The dark tones of the trees and rock face contrast sharply with the lighter hues of the water and the flesh of the figures, creating a sense of depth and visual interest. The arrangement of elements – the positioning of the figures relative to each other and the landscape – suggests a narrative unfolding, one marked by shame, regret, and potentially irreversible consequences. The overall effect is one of solemnity and psychological tension, inviting contemplation on themes of hubris, divine punishment, and the burden of power.