Piero di Cosimo (Italian, Florence 1462–1522 Florence) – The Return from the Hunt Metropolitan Museum: part 2

Metropolitan Museum: part 2 – Piero di Cosimo (Italian, Florence 1462–1522 Florence) - The Return from the Hunt
Piero di Cosimo (Italian, Florence 1462–1522 Florence): Piero di Lorenzo di Piero d’Antonio ca. 1505–7; Tempera and oil on wood; 27 3/4 x 66 1/2 in. (70.5 x 168.9 cm)

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Metropolitan Museum: part 2 - Attributed to Parmigianino - The Annunciation

Metropolitan Museum: part 2 - Robert Peake the Elder - Henry Frederick (1594–1612), Prince of Wales, with Sir John Harington (1592–1614), in the Hunting Field

Metropolitan Museum: part 2 - Perugino (Italian, Città della Pieve, active by 1469–died 1523 Fontignano) - The Resurrection

Metropolitan Museum: part 2 - Perugino (Italian, Città della Pieve, active by 1469–died 1523 Fontignano) - Saint John the Baptist; Saint Lucy

Metropolitan Museum: part 2 - Pesellino (Italian, Florence ca. 1422–1457 Florence) - Madonna and Child with Six Saints

Metropolitan Museum: part 2 - Piero di Cosimo (Italian, Florence 1462–1522 Florence) - A Hunting Scene

Metropolitan Museum: part 2 - Attributed to Jan Provost - The Crucifixion

Metropolitan Museum: part 2 - Pierre-Paul Prud’hon - Charles-Maurice de Talleyrand-Périgord (1754–1838), Prince de Bénévent

Metropolitan Museum: part 2 - Pierre Puvis de Chavannes - Cider

Metropolitan Museum: part 2 - Pierre Puvis de Chavannes - Inter artes et naturam (Between Art and Nature)

Metropolitan Museum: part 2 - Pierre Puvis de Chavannes - Ludus pro patria (Patriotic Games)

Metropolitan Museum: part 2 - Auguste Renoir - Still Life with Peaches

Metropolitan Museum: part 2 - Auguste Renoir - In the Meadow

Metropolitan Museum: part 2 - Hans Memling - The Annunciation

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The picture has something of this: mammal, lithograph, Renaissance, cavalry, group, lion, nature, bird, water, skirmish, people, two, sheep, tree, force.
Perhaps it’s a painting of a group of people near a body of water with a crucifix in the foreground and a mountain in the background.

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