Metropolitan Museum: part 2 – Berthe Morisot - Young Woman Knitting
Berthe Morisot: French, Bourges 1841–1895 Paris ca. 1883; Oil on canvas; 19 3/4 x 23 5/8 in. (50.2 x 60 cm)
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Here we see a deliberate avoidance of sharp lines and defined forms; instead, the artist employs a loose, impressionistic brushstroke that prioritizes capturing the effects of light and atmosphere over precise representation. The woman’s features are softened, almost indistinct, contributing to an overall feeling of quiet contemplation rather than portraiture in the traditional sense. Her gaze is directed downwards towards her work, reinforcing this introspective mood.
The color palette is dominated by muted greens, yellows, and creams, creating a harmonious and tranquil ambiance. The light seems diffused, bathing the scene in a gentle glow that minimizes harsh contrasts. The use of broken color – small touches of contrasting hues applied side-by-side – generates a shimmering effect, particularly noticeable in the foliage and the woman’s dress.
The chair she sits upon is rendered with similar fluidity, its delicate structure appearing almost ephemeral against the backdrop of greenery. A portion of what appears to be a patterned cushion or lap cloth is visible on her lap, adding a touch of domesticity and texture.
Subtly, the painting conveys themes of leisure and femininity within an upper-class context. The woman’s attire – a light summer dress and a wide-brimmed hat – suggests a comfortable lifestyle. Knitting, traditionally associated with womens work, is presented not as labor but as a pastime, indicative of a life free from economic necessity. The garden setting further reinforces this sense of privilege and tranquility.
Beyond the surface depiction of domesticity, there’s an underlying melancholy suggested by the woman’s averted gaze and the muted color scheme. The painting doesnt offer a narrative; instead, it captures a fleeting moment of quiet solitude, inviting contemplation on themes of time, memory, and the passage of life.