Metropolitan Museum: part 2 – Michelino da Besozzo (Italian, Lombard, active 1388–1450) - The Marriage of the Virgin
Michelino da Besozzo (Italian, Lombard, active 1388–1450): Michelino de Mulinari ca. 1430; Tempera and gold on wood; 25 5/8 x 18 3/4 in. (65.1 x 47.6 cm)
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
Surrounding this central pair are several other individuals, each contributing to the overall atmosphere of formality and reverence. To the left, older men observe the proceedings; one holds what seems to be a ceremonial staff, while another appears to be offering a small object or gesture towards the couple. A figure in dark attire stands slightly behind the man, his posture suggesting an attendant or advisor. On the right side, several women are present, their expressions ranging from quiet observation to solemnity. One woman is positioned directly behind the young woman, her hand gently resting on her shoulder, perhaps indicating support or guidance.
Above the central figures, a dove hovers in the space between them, a recurring symbol often associated with divine presence and blessing. The architectural setting, though simple, reinforces the sense of enclosure and sanctity. The limited palette – dominated by reds, yellows, blues, and touches of white – contributes to the painting’s overall solemnity and emphasizes the importance of the figures involved.
The subtexts within this scene hint at a narrative steeped in tradition and piety. The exchange of the ring signifies a formal agreement or covenant, likely marking a significant transition for the young woman. Her lowered gaze and modest attire suggest humility and acceptance of her role. The presence of elders and witnesses underscores the importance of communal approval and adherence to established customs. The dove’s appearance elevates the scene beyond the purely earthly, implying divine sanction and foreshadowing a destiny that transcends ordinary circumstances. The painting conveys an atmosphere of quiet dignity and profound significance, inviting contemplation on themes of faith, duty, and acceptance.