Juan de Flandes – Saints Michael and Francis Metropolitan Museum: part 2

The composition presents two figures framed within arched niches set against a gilded background. On the left stands a celestial being, identifiable as a saint due to the halo and the attributes held. The figure is clad in flowing white robes, with large feathered wings extending from the shoulders. In one hand, the saint holds aloft a simple cross; the other grasps a shield bearing a reflective surface. Beneath the saint’s feet lies a serpentine creature, its form contorted in apparent defeat.
To the right of this scene stands another figure, dressed in a brown habit with a knotted rope around his waist – typical attire for a Franciscan friar. This individual raises both hands towards the heavens in an expression of supplication or perhaps ecstatic vision. His face is marked by a solemn intensity, and he appears to be gazing upwards beyond the viewer’s perspective.
The artist has employed a limited palette dominated by gold, white, brown, and touches of red and black. The gold background creates a sense of otherworldly radiance, emphasizing the sanctity of the figures depicted. The stark contrast between the light illuminating the saints and the shadows enveloping the defeated serpent reinforces the thematic opposition between good and evil, divine power and demonic resistance.
The positioning of the two figures suggests a relationship of intercession or spiritual support. The saint’s protective stance over the vanquished demon implies a role as defender against malevolent forces, while the Franciscan friars gesture of prayer might indicate seeking divine assistance or witnessing a celestial manifestation facilitated by the saint’s presence.
The reflective surface on the shield held by the saint is particularly noteworthy. It serves not only to highlight the craftsmanship but also introduces an element of ambiguity – it could be interpreted as reflecting the viewer, inviting contemplation on ones own relationship with faith and spiritual struggle, or perhaps mirroring a divine gaze upon the scene. The overall effect conveys a powerful message about piety, protection, and the potential for divine intervention in earthly affairs.