Metropolitan Museum: part 2 – Davide Ghirlandaio (Italian, Florence 1452–1525 Florence) - The Marriage of the Virgin
Davide Ghirlandaio (Italian, Florence 1452–1525 Florence): David Bigordi ca. 1479; Tempera and gold on wood; 6 1/4 x 16 1/4 in. (15.9 x 41.3 cm)
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To the left, several figures observe the proceedings. A young man in red stands out with his posture; he leans on a spear, seemingly attentive yet slightly removed from the central action. Other onlookers are arranged in a tiered fashion, creating depth within the scene. Their expressions range from respectful attentiveness to quiet curiosity.
On the right side of the painting, a cluster of women is gathered. They are dressed in varying shades of pink and white, their faces rendered with individual characteristics that suggest distinct personalities. One woman, older and gray-haired, appears to be speaking or interacting with another within the group. The arrangement of these women suggests a familial or communal aspect to the event.
The artist employed a linear perspective, evident in the receding lines of the architecture and the diminishing size of figures in the background. This technique creates an illusion of depth and draws the viewers eye toward the central action. The color palette is restrained but rich, with yellows, reds, blues, and whites dominating the composition. These colors contribute to a sense of formality and reverence.
Subtleties within the scene hint at underlying narratives. The presence of the young man in red could signify youthful promise or potential involvement in future events. The older woman’s interaction with her peers might represent wisdom or guidance passed down through generations. The overall atmosphere suggests not merely a ceremonial event, but one laden with social and familial significance – a moment marking transition and establishing connections within a community.