Jan van Eyck and Workshop Assistant – The Crucifixion; The Last Judgment Metropolitan Museum: part 2

This diptych, by Jan van Eyck and his workshop assistant, presents a profound visual narrative of the Christian salvation story across its two panels.

The left panel depicts The Crucifixion of Jesus Christ. At the center, Jesus is crucified between two thieves. He is depicted in a state of suffering, with a crown of thorns and wounds from the nails and spear visible. A crowd of onlookers surrounds the scene, comprising soldiers, common people, and figures in elaborate robes, suggesting a depiction of a significant historical and religious event. The setting appears to be outside a city, with buildings and a hilly landscape in the background under a clear sky. The composition emphasizes the tragedy and solemnity of the moment, with the crowds engaging in various reactions, some seemingly indifferent, others showing sorrow.

The right panel illustrates The Last Judgment. The upper section depicts Christ enthroned as the judge, with Mary and John the Baptist flanking him. Numerous angels minister to them, and below them, a multitude of souls rise, some appearing to be resurrected or ascending to heaven. In the middle register, a formidable archangel, possibly Michael, stands with a sword, battling demons and a skeletal figure representing Death. This segment signifies the ongoing struggle between good and evil. The lower section is a harrowing depiction of Hell, crammed with tormented souls being subjected to brutal punishments by various demons. The scene is a chaotic and nightmarish representation of eternal damnation, with figures writhing in agony.

The subtexts of this artwork are rich and multifaceted, conveying core tenets of Christian theology and morality:

• Redemption and Salvation: The juxtaposition of the Crucifixion and the Last Judgment highlights the path to salvation through Christs sacrifice. The Crucifixion is the redemptive act, and the Last Judgment is the ultimate reckoning where individuals fates are determined based on their faith and deeds.
• Justice and Divine Authority: Christ as the ultimate judge underscores the concept of divine justice. The separation of the saved from the damned visually represents the reward for righteousness and the punishment for sin.
• Sin and its Consequences: The graphic depiction of Hell serves as a potent warning against sin. It illustrates the eternal suffering that awaits the unrepentant, reinforcing the importance of leading a virtuous life.
• The Battlefield of Souls: The middle register, with the archangel battling demons, symbolizes the spiritual warfare that individuals face in their lives. It suggests that the struggle between good and evil is constantly occurring and that ones choices in this life have eternal consequences.
• Social Commentary (Implicit): The diverse array of figures in the crowd, some in richly adorned attire, hints at the idea that social status does not exempt one from divine judgment. The inclusion of religious figures like priests and bishops suggests that accountability extends to those in positions of spiritual authority as well.
• Fear and Hope: The diptych evokes a dual sense of fear and hope. The terrifying vision of Hell inspires fear of damnation, while the prospect of heavenly reunion offers hope for eternal peace and divine grace.

Overall, the painting functions as a powerful didactic tool, intended to guide viewers towards piety, repentance, and faith by vividly illustrating the consequences of earthly actions in the face of divine judgment and the promise of salvation through Christ.