Cima da Conegliano (Italian, Conegliano ca. 1459–1517/18 Venice or Conegliano) – Three Saints: Roch, Anthony Abbot, and Lucy Metropolitan Museum: part 2

The composition presents three figures arranged in a hierarchical manner against a dark, neutral backdrop. The central figure dominates the visual field; he is depicted as an older man with a long, flowing beard and hair, clad in simple brown robes over a blue undergarment. He stands upon a stone pedestal, which elevates him slightly above the other two individuals. In his right hand, he holds a bell, while a staff rests on his left shoulder. The overall impression is one of solemnity and authority.
To the left of this central figure stands a younger man with a thick beard and dark hair, dressed in a yellow tunic over blue trousers. He leans upon a tall staff topped with a black object – possibly a bag or pouch – and appears to be observing the central figure with an expression that is difficult to decipher definitively; it could suggest reverence or perhaps quiet contemplation. A small dog sits at his feet, adding a touch of domesticity and potentially symbolizing fidelity.
On the right side of the composition stands a woman, presumably younger than the other two figures. She wears a vibrant red robe lined with green fabric, and her hair is long and flowing. In her outstretched hands, she holds a small container – perhaps a vessel or dish – that emits a faint glow. A staff rests against her shoulder, mirroring the posture of the man on the left. Her gaze is directed outward, suggesting an offering or blessing being bestowed upon the viewer.
The artist’s use of light and shadow contributes to the paintings overall mood. The figures are illuminated from an unseen source, highlighting their faces and garments while leaving the background in deep shadow. This creates a sense of depth and emphasizes the spiritual nature of the scene. The color palette is restrained but effective; earthy tones dominate, punctuated by the vibrant red and green of the woman’s attire.
Subtly, the arrangement suggests a narrative or devotional purpose. The central figures elevated position and the gestures of the other two figures imply a relationship of respect and perhaps supplication. The dog at the feet of the man on the left could be interpreted as a symbol of loyalty and companionship, while the woman’s offering hints at divine grace or intercession. The painting seems to invite contemplation on themes of faith, humility, and devotion.