Bergognone (Italian, Milanese, ca. 1453–1523) – The Assumption of the Virgin Metropolitan Museum: part 2

The composition presents a hierarchical arrangement centered on a figure ascending into the heavens. Above, a radiant male figure, presumably divine, is encircled by a halo and surrounded by a multitude of figures in flowing robes, seemingly engaged in choral performance. These individuals are positioned within an architectural framework suggesting a celestial realm.
Below this elevated scene stands a female figure, draped in dark blue garments adorned with golden embroidery. Her posture conveys reverence as she raises her hands in prayer or benediction. She is framed by a group of smaller figures, likely angels, each rendered with individualized features and expressions. Their attire displays a range of colors – reds, yellows, whites – creating visual dynamism within the composition.
At the base of the painting, a gathering of individuals observes the ascension. They are depicted in varying states of emotion – some appear to be praying, others seem filled with awe or wonder. The landscape behind them is rendered with a degree of topographical detail, including hills and what appears to be a distant settlement.
The artist employs a limited palette dominated by blues, golds, and reds, contributing to the overall sense of solemnity and grandeur. Light plays a significant role in defining form and creating a visual hierarchy; it emanates from the upper figure, illuminating the ascending woman and casting shadows that enhance the depth of the lower group.
Subtly embedded within this scene are elements suggesting themes of divine intervention, faith, and the transition between earthly existence and spiritual elevation. The arrangement of figures reinforces the concept of a divinely ordained event witnessed by humanity. The varied expressions among the onlookers hint at the diverse ways individuals might experience such a profound moment. The landscape in the background, while seemingly secondary, provides a grounding element, connecting the celestial spectacle to the tangible world.