Metropolitan Museum: part 2 – Chokha - Rawat Gokul Das Hunting Boar
Chokha: Indian, active 1799–ca. 1826 dated 1811; India (Devgarh, Mewar, Rajasthan); Opaque watercolor on paper; Page: 15 15/16 x 12 in. (40.5 x 30.5 cm)Image: 14 7/16 x 10 5/8 in. (36.6 x 27 cm)
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The figure’s attire is noteworthy: he wears a richly ornamented garment, possibly a chokha, adorned with elaborate belts and detailing that indicates status and wealth. His facial expression conveys determination, perhaps even triumph, as he confronts the animal. The horse itself is rendered with attention to detail, its musculature visible beneath its coat, further contributing to the impression of power and control.
The background establishes a landscape setting – a dense forest receding into a hazy distance. Several other figures are discernible within this backdrop; they appear to be attendants or fellow hunters, observing the central action from afar. Their presence reinforces the idea of a ceremonial or formalized hunt rather than a solitary pursuit. The color palette is dominated by earthy tones – greens, browns, and ochres – which evoke a sense of naturalism while also contributing to the overall richness of the scene.
Beyond the literal depiction of a hunt, the painting seems to convey themes of power, dominance, and perhaps even nobility. The rider’s elevated position on horseback, coupled with his opulent clothing and the controlled violence of the action, suggests an assertion of authority over both the natural world and potentially, social hierarchies. The boar itself can be interpreted as a symbol of untamed nature or a challenging adversary that must be overcome – a metaphor for confronting obstacles in life.
The artist’s use of perspective is somewhat flattened, characteristic of certain artistic traditions, which prioritizes clarity of narrative over strict realism. This stylistic choice contributes to the paintings decorative quality and emphasizes the symbolic elements within the scene.