Metropolitan Museum: part 2 – Ruknuddin - Ladies of the Zenana (Womens’ Quarters) on a Terrace at Night
Ruknuddin: active ca. 1650–97 dated 1666; India (Bikaner, Rajasthan); Opaque watercolor on paper; Page: 7 13/16 x 5 5/16 in. (19.8 x 13.5 cm)
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Several women are engaged in activities that imply leisure and entertainment. Two individuals seated close together form a focal point; one reclines while the other sits attentively beside them, suggesting intimacy or shared companionship. Musical instruments – a drum and what appears to be a small jar – are positioned nearby, hinting at an ongoing performance or celebration. Other women are distributed around this central pair: one holds a lamp aloft, casting a warm glow on the scene; another fans herself with a large, ornate fan; while others appear to observe the proceedings with varying degrees of engagement.
The artist has employed a palette dominated by muted greens and blues, creating an atmosphere of tranquility and mystery. The foliage in the background is rendered with considerable detail, contributing to the sense of depth and enclosure. The terrace itself is adorned with patterned tiles or stonework, adding visual texture to the foreground.
Subtleties within the scene invite interpretation. The women’s attire – a mix of flowing fabrics and elaborate jewelry – indicates a position of privilege and status. Their postures and expressions convey a range of emotions, from relaxed contentment to quiet contemplation. The presence of what appear to be bows or arrows held by some of the women introduces an element of potential tension or guardedness, perhaps alluding to the restrictions placed upon women in certain social contexts.
The overall impression is one of carefully orchestrated intimacy within a confined space, hinting at the complexities of female relationships and the constraints imposed upon them within a hierarchical society. The nocturnal setting further enhances this sense of secrecy and privacy, suggesting that the scene unfolds beyond the gaze of outsiders.