Metropolitan Museum: part 1 – Pieter de Hooch - Leisure Time in an Elegant Setting
Pieter de Hooch: Dutch, Rotterdam 1629–1684 Amsterdam ca. 1663–65; Dutch; Oil on canvas; Extended canvas 22 15/16 x 27 5/16 in. (58.3 x 69.4 cm); original visible painted surface 21 5/8 x 26 in. (55 x 66 cm)
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What is a pauper doing here? The painting A Merry Company by Pieter de Hooch. The artist is the Dutch genre painter Pieter Hooch (1629-1684). His paintings may seem soulless, but there is a sense of tragedy behind all this restraint. Piety is usually absent from his works.
This painting features both men and women, as well as alcohol. Sunlight fills a large room with golden walls. The floor is decorated with patterned white-brown tiles. In the corner of the room, there is a table covered with patterned fabric, on which stands a salt shaker and a plate with a piece of bread. On the right side, a door is wide open. There is a rosewood chest of drawers with rounded legs. It holds Chinese cups, which cost a lot of money at that time. Above the chest of drawers hangs a painting depicting a nude young couple.
In front of the table, in the center of the painting, stands a woman dressed in an atlas light blue blouse, a yellow skirt, and a long white apron. She has a dark hat with a flower on her head. To her right stands a red-haired boy with a pitcher. He wants to fill a goblet that is being held by a girl sitting to his right. A smile can be seen on her face; she seems to have been amused by something after taking a sip from the goblet. Across from the girl, at the table and facing sideways, sits a man smoking a pipe. A large black hat rests on his lap. At his feet is a dog (which may signify sinfulness). In the doorway leading to another room stands another person. At the end of that room, one can see an old man with a gray beard and a cane – most likely he is the pauper. Seeing what is depicted in the painting, one wants to ask: What is happening here? Who are all these people, and how are they connected to each other? Most likely, the artist has depicted events that he once witnessed. And the beautiful setting of the room was created only so that the painting would appeal to the buyer.
The painting hanging above the chest of drawers evokes a faint sense of depravity. Could this be an expensive brothel? Is the young woman at the table one of its patrons? Then, is the woman in the blue blouse the mistress of the brothel (the thought is suggested by her hat, which was not typical for women at that time)? If so, then it can be understood why the man at the table seems to be waiting for further events, the girl is drinking wine, and there is practically nothing on the table except a piece of bread. As for the man and the old man in another room, here reality turns into didacticism, telling us that poverty will eventually come with old age. In conclusion: if you lead a dissolute life, you will lose everything you have and dissolve into your whims.
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A woman stands beside the table, her posture conveying a sense of attentive service and quiet authority. She holds a small vessel, likely containing liquid, and her gaze is directed towards the man and boy, establishing a familial dynamic within this setting. Her attire – a white apron over a blue bodice and dark skirt – indicates both domestic responsibility and a degree of social standing.
The background is dominated by an elaborate wall paneling, rendered in warm gold tones that create a sense of opulence and refinement. A marble sculpture is centrally placed above the table, adding to the impression of cultured taste and intellectual pursuits. The light source appears to originate from the left side of the room, casting shadows that enhance the three-dimensionality of the figures and objects while also contributing to an atmosphere of subdued elegance.
A figure can be seen in a doorway at the far right of the painting. This individual is partially visible, suggesting a connection to the outside world or perhaps hinting at the presence of servants within this household. The tiled floor adds another layer of detail, its geometric pattern contrasting with the organic forms of the figures and furnishings.
Subtly, the work conveys an impression of leisurely enjoyment and social status. The carefully arranged setting, the quality of the fabrics, and the relaxed postures of the individuals all contribute to a sense of comfortable prosperity. There is a quiet dignity in the scene; it’s not overtly celebratory but rather depicts a moment of peaceful domesticity within a refined environment. The partial obscuring of the mans face introduces an element of ambiguity, suggesting that there may be more to this seemingly tranquil scene than initially meets the eye – perhaps hinting at unspoken thoughts or underlying complexities within the family dynamic.