Metropolitan Museum: part 1 – Caspar David Friedrich - Two Men Contemplating the Moon
Caspar David Friedrich: German, Greifswald 1774–1840 Dresden ca. 1825–30; Oil on canvas; 13 3/4 x 17 1/4 in. (34.9 x 43.8 cm); Pastels & Oil Sketches on Paper; Wrightsman Fund, 2000; 2000.51
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The artist has employed a muted palette, primarily utilizing shades of brown, grey, and purple to evoke a sense of melancholy and introspection. The limited color range contributes to the overall atmosphere of quiet contemplation. Light is strategically used; the moon serves as the primary source, casting a subtle glow on the surrounding foliage and highlighting the figures silhouettes. This illumination emphasizes their isolation within the vastness of nature.
The two men are rendered in profile, their faces obscured, preventing any specific identification or narrative association. Their posture – standing close together, yet turned away from the viewer – suggests shared experience and a silent communion with the celestial body above. The positioning of the figures, dwarfed by the scale of the landscape and the imposing trees, underscores humanity’s insignificance in comparison to the grandeur of nature.
The prominent tree on the right side of the painting acts as both a visual barrier and a symbolic frame for the moon. Its twisted branches seem to reach towards the heavens, perhaps representing an aspiration or longing for something beyond earthly existence. The dense foliage obscures much of the background, creating a sense of mystery and suggesting that there are hidden depths within both the landscape and the human psyche.
Subtly, the work explores themes of solitude, spirituality, and the sublime. It is not merely a depiction of a natural scene but rather an invitation to reflect on ones place in the universe and the profound emotions evoked by encountering something vast and unknowable. The absence of overt narrative allows for multiple interpretations, encouraging viewers to project their own experiences and feelings onto the scene.