Metropolitan Museum: part 1 – Peter Wtewael - Kitchen Scene
Peter Wtewael: Dutch, Utrecht 1596–1660 Utrecht 1620s; Oil on canvas; 44 3/4 x 63 in. (113.7 x 160 cm)
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
On the left side of the canvas, an abundance of foodstuffs are arranged on a table. A dead fowl stands prominently amidst a collection of game birds, alongside cuts of meat, fish, and what appear to be small rodents or rabbits. The arrangement is not haphazard; there’s a deliberate layering and presentation that suggests both wealth and careful management of resources. Hanging from hooks above the table are more carcasses, further emphasizing the provision of sustenance.
Two individuals occupy the right side of the scene. A woman, dressed in modest attire with a white cap, holds up a fish for inspection. Her expression is animated, suggesting amusement or perhaps a shared understanding with the man beside her. The man, similarly simply clad, gazes at the fish with an attentive look, holding a basket containing eggs. His posture and gaze indicate participation in the moment, though his role seems more passive than that of the woman.
The artist’s attention to detail is striking; one notices the rendering of the textures – the sheen on the fish scales, the feathers of the fowl, the rough weave of the clothing. This meticulousness contributes to a sense of realism and invites close scrutiny. The dark background serves to isolate the figures and the food display, drawing the viewer’s focus directly onto them.
Subtextually, the painting seems to explore themes of domesticity, abundance, and perhaps even social status. The sheer quantity of food displayed suggests prosperity and a comfortable lifestyle. The interaction between the two individuals hints at a shared intimacy or familial bond, reinforcing the sense of a stable and well-ordered household. It is possible that the scene intends to convey an idealized view of rural life, emphasizing the virtues of hard work, resourcefulness, and family unity. The presentation of game animals could also allude to hunting as a pastime enjoyed by the upper classes. Ultimately, the painting offers a glimpse into a specific moment in time, revealing aspects of daily life and social values within a particular cultural context.