Metropolitan Museum: part 1 – Jan Steen - The Dissolute Household
Jan Steen: Dutch, Leiden 1626–1679 Leiden ca. 1663–64; Oil on canvas; 42 1/2 x 35 1/2 in. (108 x 90.2 cm)
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To the right, a woman is being poured a drink by another woman, her head lolling back in a state of intoxication or exhaustion. Her opulent clothing suggests she might be the mistress of the house, succumbing to the excesses of the gathering.
In the mid-ground, a table is laden with food, plates, and wine glasses, though some are askew, indicating a lack of order. Several figures are gathered around it. A man with a wide, perhaps drunken, grin is seated, holding a spoon, and looking towards the inebriated woman. On the left, a woman with a head covering is slumped over the table, seemingly asleep or overcome. Other children are visible in the background.
To the left, a lute rests against a backgammon board, suggesting leisure and possibly gambling. An open book lies on the floor beneath the chair, alongside discarded drinking glasses and a knife, further emphasizing the disarray.
The overall atmosphere is one of excess, merriment, and a breakdown of domestic order. Through these details, Steen subverts the idealized portrayals of family life common in Dutch Golden Age art. The painting highlights themes of gluttony, drunkenness, and the abandonment of responsibility, presented with Jan Steens signature humor and keen observation of human behavior. The depiction of the households disarray serves as a moral commentary on the dangers of unchecked indulgence and the potential for chaos when social norms are disregarded.