Metropolitan Museum: part 1 – Hubert Robert - The Old Bridge
Hubert Robert: French, Paris 1733–1808 Paris ca. 1777; Oil on canvas; Diameter 32 3/4 in. (83.2 cm)
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
In the foreground, two women are depicted seated on a rocky outcrop near the riverbank. Their attire suggests a rural or working-class background; one woman gestures towards the distant view, while the other appears to be engaged in domestic tasks, perhaps washing clothes. The placement of these figures draws the viewer’s eye into the scene and establishes a human connection with the landscape.
The color palette is dominated by muted earth tones – browns, greens, and grays – which contribute to an atmosphere of quiet contemplation and historical depth. Light plays across the waters surface, creating subtle reflections that enhance the sense of realism. The sky, rendered in soft blues and whites, provides a backdrop for the scene while also hinting at atmospheric conditions.
Beyond its straightforward depiction of a rural landscape, the painting carries several layers of subtext. The dilapidated state of the bridge suggests themes of decay, times passage, and the inevitable decline of human constructions. It can be interpreted as a meditation on the relationship between humanity and nature, where the natural world reclaims what was once built by human hands. The presence of the women in the foreground introduces an element of domesticity and continuity, implying that life persists even amidst the slow erosion of structures and traditions. The distant buildings suggest a civilization beyond the immediate scene, hinting at broader societal narratives and historical context. Ultimately, the work evokes a sense of nostalgia for a bygone era and prompts reflection on the transient nature of human endeavors.