Metropolitan Museum: part 1 – Édouard Manet - Boating
Édouard Manet: French, Paris 1832–1883 Paris 1874; Oil on canvas; 38 1/4 x 51 1/4 in. (97.2 x 130.2 cm)
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The woman sits beside him, her face partially obscured by a patterned headscarf. Her posture appears more subdued than the man’s; she seems turned inward, her gaze directed elsewhere. The details of her attire mirror the mans in their lightness and informality. A small sail is visible on the right side of the boat, angled towards the viewer, suggesting movement and a journey underway.
The background consists primarily of water, rendered with broad strokes of blue and green that convey the shimmering quality of sunlight reflecting off the surface. The horizon line is high, compressing the depth of field and emphasizing the immediacy of the scene. A dark band runs along the bottom edge of the canvas, creating a stark contrast to the bright colors above and contributing to a sense of enclosure.
The painting’s subtexts revolve around themes of leisure, modernity, and perhaps a subtle commentary on social dynamics. The relaxed attire and casual setting suggest an embrace of contemporary recreational activities – boating being a popular pastime among the burgeoning middle class. The direct gaze of the man could be interpreted as a challenge to traditional portraiture conventions, asserting a sense of individual presence and agency. The woman’s averted gaze introduces an element of ambiguity; it might signify introspection, discomfort, or simply a quiet acceptance of her role within this social tableau.
The overall effect is one of understated elegance and quiet observation, capturing a fleeting moment in the lives of these individuals against the backdrop of a tranquil waterway.