Louvre – CORREGGIO - Betrothal of St. Catherine in the presence of St. Sebastian and with the martyrdom of two saints, c
1526-1527.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
To the right, a male figure stands poised, his body angled toward the central group. He is armed with what appears to be a spear or arrow, and his gaze is directed at the infant, creating an unsettling tension within the scene. His presence introduces an element of potential threat or divine intervention.
The background is rendered in atmospheric perspective, receding into a hazy distance where figures appear to be engaged in violent acts. These distant scenes, though partially obscured, depict what seems to be martyrdom – one figure being led away and another undergoing execution. The inclusion of these events establishes a narrative context beyond the immediate foreground action, hinting at themes of sacrifice and divine purpose.
The artist’s use of light is significant. A soft, diffused glow illuminates the central figures, highlighting their expressions and emphasizing the tenderness of the interaction between the women and the child. This contrasts with the darker tones used for the background, which serve to isolate the foreground group and draw attention to the unfolding drama.
The arrangement of the figures creates a pyramidal structure, anchoring the composition and lending it stability. The nude infant is positioned at the apex of this pyramid, symbolizing innocence and vulnerability. The overall effect is one of solemnity and reverence, imbued with an undercurrent of foreboding due to the implied violence in the background and the watchful presence of the armed figure. The painting seems to explore themes of divine grace, sacrifice, and the transition from earthly life to a higher realm.