SCHOOL OF BOLOGNA – Triptych with Crucifixion, Coronation of Mary, Annunciation, Madonna Misericordia (Intercessor Mary), Nativity and six saints Louvre (Paris)

The panel presents a single figure depicted in frontal view against a gold background. The individual is clad in a dark green habit with a hood, indicative of a Franciscan order affiliation. A cord cinches the waist, and the sleeves are gathered at the wrists. He stands with one hand raised in a gesture of blessing or teaching, while the other holds open a book. Inscribed above his head are abbreviations that likely represent his name: S. BAN on the left and CISCVS on the right.
The composition is characterized by its stark simplicity and formal presentation. The figure’s posture conveys an air of solemnity and authority, typical of devotional imagery intended to inspire reverence. The gold background serves not only as a visual foil but also symbolically represents the divine realm, elevating the subject beyond earthly concerns.
The open book held by the figure is significant. It suggests erudition, spiritual knowledge, or perhaps a specific text central to his teachings or life. The gesture of the raised hand reinforces this interpretation, implying an act of imparting wisdom or offering divine grace.
Given the context of a larger triptych containing scenes from Christs life and depictions of Mary and other saints, this panel likely serves as a portrait of a significant religious figure – a saint or perhaps a revered theologian within the Franciscan tradition. The overall effect is one of quiet piety and intellectual depth, intended to inspire contemplation and devotion in the viewer.