Louvre – DAVID JACQUES LOUIS - Emilia Ceriza, née Pekul, with her son Emil, born in
1793.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The child, positioned slightly to the right of the woman, appears to be reaching towards her. He wears a white jacket over a cream-colored shirt, his hair a light blonde or reddish hue. His posture conveys a sense of dependence and affection toward the seated figure. The artist has captured a moment of intimacy between mother and son.
In the woman’s hands, she holds a small bouquet of flowers and greenery. This detail introduces an element of naturalism into the otherwise formal portraiture. The colors within the bouquet – red berries and verdant leaves – provide a visual contrast to the predominantly white and green palette of the clothing.
The lighting is soft and diffused, illuminating the faces and highlighting the delicate textures of the fabrics. Shadows are minimal, contributing to an overall sense of serenity and domesticity. The artist’s choice to depict the woman in simple attire, devoid of ostentatious jewelry or elaborate ornamentation, suggests a focus on her inner qualities rather than outward display.
Subtly, the painting conveys themes of maternal love, familial connection, and understated elegance. The restrained color palette and composition contribute to an atmosphere of quiet dignity and refinement, indicative of a particular social class and era. The overall effect is one of idealized domesticity – a carefully constructed representation of a woman and her child within their immediate environment.