MASTER OF THE HOLY RELATIVES – Altar Seven joys of the Mother of God: Adoration of the Magi, Bringing to the temple, Christ appears to Mary. OK Louvre (Paris)

The triptych presents a complex narrative scene populated by numerous figures arranged across three distinct panels, unified by a shared visual language and thematic focus on Marian devotion. The central panel is dominated by a seated figure of a woman, draped in blue and red garments, who holds an infant in her arms. She appears to be receiving homage from several individuals, some kneeling, others standing, all richly adorned in elaborate clothing indicative of royalty or high status. Above her, within a gilded architectural framework, the same woman is depicted again, this time with the infant held aloft, seemingly blessing those below.
Flanking the central panel are two additional scenes. On the left, a group gathers around what appears to be a procession, marked by banners and flags. The figures display expressions of reverence and awe as they look towards a central point, possibly indicating a divine manifestation or significant event. On the right panel, another gathering is visible, with individuals engaged in gestures that suggest mourning or contemplation. A woman, similarly attired to the central figure, stands amidst them, her posture conveying sorrow and introspection.
The artist employs a hierarchical scale throughout the composition, emphasizing the importance of the central female figure through her size and placement. The use of gold leaf backgrounds creates an ethereal atmosphere, elevating the scene beyond the earthly realm. A meticulous attention to detail is evident in the rendering of fabrics, jewelry, and facial expressions, contributing to the overall sense of opulence and solemnity.
Subtleties within the composition suggest a layered narrative. The inclusion of children throughout the scenes hints at themes of innocence, hope, and generational continuity. The varied emotional states displayed by the figures – joy, reverence, sorrow – suggest a complex exploration of faith and human experience. The architectural elements, while seemingly decorative, may also serve to compartmentalize the narrative episodes, guiding the viewers eye through the sequence of events. The presence of animals, such as birds, adds a touch of naturalism within the otherwise idealized setting. Overall, the work conveys a profound sense of piety and reverence, inviting contemplation on themes of divine grace, maternal love, and human devotion.