GIOVANNI STEFANO DI, NAMED SASSETTA – Madonna and Child Enthroned, Surrounded by Six Angels, with Saints Anthony of Padua and John the Evangelist Louvre (Paris)
Louvre – GIOVANNI STEFANO DI, NAMED SASSETTA - Madonna and Child Enthroned, Surrounded by Six Angels, with Saints Anthony of Padua and John the Evangelist 1437-1444.
The composition is structured around a central, enthroned figure, likely representing a Virgin Mary holding a child. The arrangement suggests a triptych format, with two flanking panels that contribute to the overall narrative and devotional purpose. On the left panel, a male saint stands in profile, clad in a coarse, earth-toned habit. He holds an open book, indicating his scholarly or scriptural connection. His gaze is directed towards the central figure, establishing a visual link within the larger work. The posture conveys humility and reverence. The central panel dominates with its depiction of the Virgin Mary seated on an ornate throne. She cradles a child in her arms, their faces turned slightly toward each other. Above them, six angels are arranged in a hierarchical fashion, seemingly floating within a golden architectural framework. Their expressions appear serene and contemplative. The Virgin’s dark robes contrast sharply with the vibrant red and gold of the throne and the angelic figures, drawing attention to her central role. The right panel mirrors the left, featuring another male saint, this one distinguished by his age – evident in his long beard and receding hairline – and a flowing pink garment. He too holds an open book, echoing the gesture of the figure on the left and reinforcing the theme of knowledge or divine revelation. His gaze is also directed towards the central scene, completing the visual triangle that connects all three figures. The background throughout the composition is rendered in gold leaf, which creates a sense of otherworldly splendor and emphasizes the sacred nature of the depicted events. The throne itself is richly decorated with intricate patterns, suggesting wealth and status. Subtly, the arrangement of the saints flanking the central figure implies intercession – they act as mediators between the viewer and the divine. The open books held by both saints suggest a connection to scripture and learning, possibly indicating that piety and knowledge are essential components of faith. The presence of angels reinforces the celestial realms involvement in earthly affairs. The overall effect is one of solemnity, reverence, and an invitation to contemplation on themes of motherhood, divinity, and salvation.
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GIOVANNI STEFANO DI, NAMED SASSETTA - Madonna and Child Enthroned, Surrounded by Six Angels, with Saints Anthony of Padua and John the Evangelist — Louvre (Paris)
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On the left panel, a male saint stands in profile, clad in a coarse, earth-toned habit. He holds an open book, indicating his scholarly or scriptural connection. His gaze is directed towards the central figure, establishing a visual link within the larger work. The posture conveys humility and reverence.
The central panel dominates with its depiction of the Virgin Mary seated on an ornate throne. She cradles a child in her arms, their faces turned slightly toward each other. Above them, six angels are arranged in a hierarchical fashion, seemingly floating within a golden architectural framework. Their expressions appear serene and contemplative. The Virgin’s dark robes contrast sharply with the vibrant red and gold of the throne and the angelic figures, drawing attention to her central role.
The right panel mirrors the left, featuring another male saint, this one distinguished by his age – evident in his long beard and receding hairline – and a flowing pink garment. He too holds an open book, echoing the gesture of the figure on the left and reinforcing the theme of knowledge or divine revelation. His gaze is also directed towards the central scene, completing the visual triangle that connects all three figures.
The background throughout the composition is rendered in gold leaf, which creates a sense of otherworldly splendor and emphasizes the sacred nature of the depicted events. The throne itself is richly decorated with intricate patterns, suggesting wealth and status.
Subtly, the arrangement of the saints flanking the central figure implies intercession – they act as mediators between the viewer and the divine. The open books held by both saints suggest a connection to scripture and learning, possibly indicating that piety and knowledge are essential components of faith. The presence of angels reinforces the celestial realms involvement in earthly affairs. The overall effect is one of solemnity, reverence, and an invitation to contemplation on themes of motherhood, divinity, and salvation.