Louvre – FOLIGNO NICCOLO DA - Two angels carrying a memorial panel; Christ in the Garden of Gethsemane; Flagellation
1492.
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The central scene shifts to a garden landscape, dominated by a tall, slender cypress tree that acts as a vertical anchor. Christ kneels in prayer, surrounded by disciples whose expressions convey varying degrees of distress or sleepiness. The ground plane is rendered with a grid-like pattern, creating an almost geometric feel and emphasizing the spatial recession towards a distant, hazy horizon. This landscape feels both intimate and expansive simultaneously.
The rightmost panel portrays a public space – likely a courtyard or portico – where a flagellation takes place. Three figures actively participate in the act, while others observe from a distance. The architecture is characterized by classical elements: columns, arches, and a sense of monumental scale. The composition here feels more chaotic than the previous scenes, with figures clustered together and engaged in a violent action.
Subtleties within the work suggest a layered narrative. The memorial panel on the left might represent a dedication or remembrance related to the events depicted in the subsequent panels. The garden scene emphasizes Christ’s solitude and vulnerability before his suffering. The flagellation, presented with stark realism, underscores the brutality of the Passion.
The consistent use of perspective and light across all three panels creates a visual coherence despite the differing subject matter. The limited color range – dominated by earth tones and muted blues – contributes to a somber and contemplative mood. The overall effect is one of solemnity and reverence, inviting contemplation on themes of sacrifice, faith, and human suffering.