Louvre – DAVID JACQUES LOUIS - Pierre Ceriza, brother-in-law of the artist
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The man’s attire is notable for its blend of formality and practicality. A tall black hat with a red plume adorns his head, while a tailored dark jacket contrasts sharply with the pale linen shirt and breeches. The high collar of the shirt is elaborately frilled, adding to the sense of studied elegance. His hands are gloved, suggesting an awareness of social decorum even in what appears to be a casual setting.
The artist has rendered the subject’s face with careful attention to detail; his expression is one of quiet confidence and perhaps a touch of amusement. The light catches his cheekbones and highlights the slight curl of his lips, conveying a sense of amiable self-possession. His gaze is directed towards the viewer, establishing an immediate connection that invites scrutiny.
The background’s muted tones serve to emphasize the figures presence, drawing attention to his clothing and demeanor. The indistinct landscape hints at a life lived outdoors, perhaps connected with leisure or travel.
Subtly, the painting conveys a sense of burgeoning modernity. The man’s attire – the tailored jacket, breeches, and hat – suggests an embrace of contemporary fashion while retaining elements of traditional gentility. The relaxed pose and direct gaze imply a self-assuredness characteristic of a rising social class. The presence of the walking stick and cloak further reinforces this image of a gentleman engaged in outdoor pursuits, indicative of both leisure and perhaps a certain degree of independence. Overall, the work offers a glimpse into the lifestyle and sensibilities of an individual navigating a period of significant societal change.