TASSAR OKTAV – Artist’s studio Louvre (Paris)

The composition presents a young boy seated before a hearth, engaged in the act of eating potatoes. The scene is set within what appears to be a modest artists studio, suggested by the presence of artistic paraphernalia. A portrait hangs above the fireplace mantel, its subject obscured but seemingly depicting another individual. To the right, an easel and scattered canvases lean against the wall, further reinforcing the setting as a workspace.
The boy’s posture is relaxed, almost slumped, his gaze directed downwards towards his meal. His attire – a red jacket over simple trousers – indicates a working-class background. The arrangement of potatoes before him, along with the earthenware pot and jug nearby, suggests a humble sustenance. A white cat rests near his feet, adding a touch of domesticity to the scene.
The lighting is uneven, highlighting the boy’s face and upper body while leaving the surrounding areas in shadow. This contrast draws attention to the central figure and emphasizes the intimacy of the moment. The dark tones dominating the background contribute to a sense of enclosure and introspection.
Beyond the literal depiction of a young boy eating, the painting evokes themes of labor, poverty, and perhaps even resilience. The artist’s studio setting introduces an element of artistic creation and observation; the boy himself could be interpreted as a model or simply another subject for study. The portrait above the fireplace hints at familial connections or a broader social context. The overall impression is one of quiet dignity amidst hardship, inviting contemplation on the lives of those who toil and create.