DE COTER COLIN – The Three Marys from Lamentation. The right wing of the altar Louvre (Paris)

The composition presents three figures arranged vertically within a narrow, elongated format. The central figure dominates the scene, positioned slightly forward and rendered in vibrant color against a dark backdrop. She is depicted kneeling, her hands pressed together in a gesture of profound sorrow or prayer. Her attire consists of an elaborate red garment adorned with intricate embroidery, layered over a green underdress, suggesting both mourning and status. A delicate white veil partially obscures her face, emphasizing the vulnerability and grief conveyed through her bowed head and downcast eyes.
Flanking this central figure are two additional women, positioned slightly behind and to either side. They share a similar posture of lamentation, their hands clasped in front of them, heads inclined downwards. Their garments are rendered in darker hues – deep reds and browns – which contrast with the brighter colors of the central figure, visually separating her from the group while simultaneously linking them through shared grief. The textures of their clothing appear heavy and substantial, contributing to a sense of solemnity and weightiness.
The artist’s use of light is significant. It illuminates the faces and upper bodies of the figures, highlighting their expressions of sorrow and emphasizing the delicate rendering of skin tones. A subtle modeling technique creates depth and volume, giving the impression of tangible presence. The background remains largely in shadow, which serves to focus attention on the emotional intensity of the scene.
Subtly, there is a sense of hierarchical arrangement within the group. The central figure’s brighter colors, more elaborate clothing, and forward positioning suggest a position of greater importance or authority, perhaps indicating her role as the primary mourner. The other two women appear to be supporting figures, offering solace and shared grief.
The overall effect is one of profound sadness and quiet contemplation. The vertical format reinforces the sense of height and solemnity, while the limited color palette contributes to a mood of restrained emotion. The painting likely served as part of a larger devotional work, intended to evoke feelings of empathy and spiritual reflection in the viewer.