Louvre – GIOTTO’S WORKSHOP - Crucifixion with Our Lady, St. John the Evangelist and a pelican at the upper end of the cross
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Flanking the central figure are two smaller panels containing depictions of female figures. On the left, a woman is portrayed in profile, her gaze directed downwards with an expression of sorrowful contemplation. To the right, another woman stands facing forward, similarly conveying grief and reverence through her posture and facial features. The artist has employed a limited palette – predominantly earth tones punctuated by gold – to create a sense of solemnity and spiritual weight.
Above the cross, within a smaller rectangular panel, is an image of a bird – likely a pelican – perched on what appears to be a decorative element. An inscription in Latin is positioned directly beneath the bird. The presence of the pelican carries symbolic significance; it’s often associated with sacrifice and redemption due to its supposed practice of feeding its young with blood from its own breast. This visual cue subtly reinforces the themes of suffering, atonement, and divine grace inherent within the central scene.
The meticulous detailing of the cross itself – the intricate patterns etched into its surface – draws attention to the craftsmanship involved in its creation. The gold leaf highlights not only the religious significance but also suggests a degree of wealth and patronage associated with the work.
Overall, the painting conveys a profound sense of piety and contemplation. It moves beyond mere depiction of an event; it seeks to evoke emotional and spiritual resonance within the viewer through carefully considered symbolism and composition. The restrained expressiveness of the figures, coupled with the rich materiality of the gold leaf and detailed ornamentation, contributes to a feeling of dignified solemnity.