GOZZOLI BENOZZO – Apotheosis of St. Thomas Aquinas Louvre (Paris)

The composition unfolds within a tall, narrow format, suggesting its original function as a devotional panel or altarpiece. The upper register is dominated by a radiant sunburst, framing a celestial scene. Within this golden halo, figures appear arranged around what seems to be a throne, though details are somewhat obscured by the luminosity. An inscription above reads ECCESOPIS BE THOMHA, likely referencing a blessing or invocation.
Below the celestial sphere, three central figures occupy the middle ground. A man in a dark Dominican habit stands prominently, surrounded by an intense halo of light emanating from his chest. He holds open what appears to be a book or manuscript, its pages illuminated as if containing divine knowledge. Flanking him are two other men, one on either side, both clad in monastic robes and exhibiting expressions of reverence or contemplation. The figure to the left wears a grey habit, while the man on the right is dressed in red and white.
The lower portion of the painting depicts a crowded gathering of individuals seated at tables laden with books and scrolls. These figures appear engaged in scholarly pursuits – reading, writing, and discussing texts. A banderole runs across this section, bearing an inscription that seems to describe the scene or offer a commentary on its significance. The overall impression is one of intellectual activity and devotion intertwined.
The use of light is particularly striking. The intense halo surrounding the central figure draws immediate attention, symbolizing divine grace or enlightenment. The golden background reinforces this sense of transcendence, while the darker tones of the figures’ garments create contrast and depth.
Subtextually, the painting seems to celebrate intellectual pursuit as a pathway to spiritual understanding. The gathering below suggests a community dedicated to learning and contemplation, while the central figure embodies the culmination of that effort – a union with the divine through knowledge. The arrangement of figures and their gestures convey respect and veneration for this individual’s wisdom and piety. The compositions verticality reinforces a sense of aspiration – a reaching towards something beyond the earthly realm.