Isaac Ilyich Levitan – oak on the riverbank. 1887
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РЕЧНОЙ БЕРЕГ
Жёлтой старой картою песок
Входит в зелень травную, играя,
Иль живя всерьёз. Наискосок
От него блестит волна речная.
И ракит шатры вполне по мне,
Тишина речной воды душиста.
Вечереет, что сказать волне?
Наползает на берег не быстро.
Вот пошёл туман, его слои
Белизною пухлою затянут
Воду и кусты, храня свои
Тайны, чем-то близким всё же станут
Ныне наблюдателю. Река
Неподвижной кажется. И мерно
Ночь идёт – идёт издалека,
Я не знаю точно, но наверно.
вав дуб круто
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Here we see an emphasis on texture and brushwork; the artist employed visible strokes to render the grassy slope, creating a palpable feeling of unevenness and natural growth. The tree’s bark is similarly rendered with energetic marks that convey its age and resilience. The water surface appears less detailed, suggested by horizontal bands of varying blues and greens, which contribute to an overall impression of atmospheric perspective.
The color palette is restrained, primarily consisting of muted greens, browns, and blues. This limited range reinforces the somber mood and evokes a sense of melancholy or introspection. The light source seems diffused, casting soft shadows and minimizing harsh contrasts.
Beyond the straightforward depiction of nature, the painting suggests themes of endurance and solitude. The oak, standing alone against the expanse of water and sky, can be interpreted as a symbol of strength and perseverance in the face of adversity. Its bare branches might also represent vulnerability or a period of dormancy, hinting at cycles of renewal and rebirth.
The composition’s verticality, established by the trees height, contrasts with the horizontal lines of the riverbank and water surface, creating a visual tension that draws the viewer’s eye across the scene. The cropped edges further enhance the feeling of isolation and confinement, focusing attention on the central subject.
The inscription at the bottom left corner adds another layer to the works meaning; it is unclear what exactly it says but its presence suggests a personal connection between the artist and the depicted landscape.