Pedro Berruguete (workshop of) – The Last Supper Los Angeles County Museum of Art (LACMA)

The composition presents a gathering around a long table, dominated by a central figure who holds aloft a small, round object. The scene is illuminated with a stark, directional light that emphasizes the faces and gestures of those present. Above each individual, labels identify them, though their expressions vary considerably – some appear contemplative, others distressed, and still others seem almost indifferent.
The table itself is laden with food, primarily vegetables and what appears to be fish, arranged in a somewhat haphazard fashion. A single figure reclines at the edge of the table, his posture conveying a sense of profound sorrow or despair; he seems physically separated from the rest of the group. The background features an elaborate architectural structure, partially obscured by shadow, which adds depth but also contributes to a feeling of confinement.
The artist’s use of color is notable. Deep reds and blues are prominent in the garments of several figures, contrasting with the paler tones of others. This variation may serve to highlight individual roles or emotional states within the group. The faces exhibit a range of expressions, moving beyond idealized representations towards a more realistic portrayal of human emotion – anxiety, grief, and resignation are all discernible.
Beyond the literal depiction of a shared meal, the painting suggests themes of betrayal, sacrifice, and impending doom. The labels above each figure’s head hint at their individual significance within this narrative, while the isolated posture of the reclining man underscores his personal anguish. The overall effect is one of dramatic tension and psychological complexity, moving away from purely devotional imagery towards a more introspective exploration of human experience in the face of adversity.