On the Square. 1912 Konstantin Alekseevich Korovin (1861-1939)

The composition presents a densely populated public space, seemingly a town square or marketplace, rendered with a deliberate lack of precise detail and a strong emphasis on color and texture. The scene is dominated by figures in elaborate costumes – a procession or performance appears underway. These individuals are not depicted realistically; instead, their forms are simplified and stylized, suggesting an interest in conveying essence rather than individual identity. Their garments display a vibrant palette: deep greens, yellows, reds, and whites clash and harmonize simultaneously.
The artist employed a thick impasto technique, with visible brushstrokes contributing to the overall sense of movement and energy. The application of paint is not smooth or blended; instead, it’s applied in distinct layers, creating a tactile surface that draws attention to the materiality of the work itself. This approach contributes to an impression of immediacy and spontaneity.
The background is less defined, appearing as a dark mass punctuated by areas of lighter color – possibly suggesting buildings or architectural elements. A curved shape at the top of the composition acts as a framing device, drawing the eye towards the central group of figures while also creating a sense of enclosure. The darkness surrounding the scene isolates it, intensifying its visual impact and contributing to an atmosphere of heightened drama.
Beyond the surface depiction of a public gathering, subtexts emerge concerning societal roles and traditions. The elaborate costumes suggest a ritualistic or ceremonial event – perhaps a folk festival or religious procession. However, the artist’s deliberate abstraction prevents any straightforward interpretation; instead, it invites contemplation on the nature of spectacle, performance, and collective identity. Theres an underlying sense of both celebration and perhaps a degree of melancholy or detachment, as the figures seem almost like puppets in a staged display. The lack of individual expression further reinforces this impression, suggesting that these individuals are representatives of larger cultural forces rather than unique personalities.

The overall effect is one of controlled chaos – a vibrant yet unsettling portrayal of communal life.