Gustav Klimt – Josef Lewinsky as Carlos
1895, 60х44
Location: Galerie Belvedere, Wien.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
COMMENTS: 1 Ответы
Полной картинки нет
You cannot comment Why?
The artist employed a restricted palette dominated by muted greens, browns, and creams, with touches of gold that punctuate the composition. These golden accents appear as scattered foliage on the left side and in a horizontal band at the bottom, introducing a sense of decorative richness that contrasts with the somber mood established by the figure’s depiction. The text inscribed above the mans head – Josef Lewinsky als Carlos in Clavigo – provides contextual information but also serves to distance the subject from direct identification, suggesting a performative or assumed identity.
To the right of the central figure, a ghostly apparition emerges – a blurred and indistinct representation of another individual, seemingly observing the scene with an air of detached amusement or perhaps veiled judgment. This secondary presence introduces a narrative element, hinting at a relationship between the two figures that is complex and potentially fraught with tension.
At the base of the composition, a small table supports two objects resembling stylized chess pieces. Their placement in this lower register suggests symbolic weight; they could represent strategic maneuvering, power dynamics, or perhaps even the game of life itself. The overall effect is one of deliberate ambiguity, inviting contemplation on themes of identity, performance, and the complexities of human relationships. The work avoids a straightforward representation, instead opting for an exploration of psychological states and veiled narratives through formal means.