Adele Bloch-Bauer I Gustav Klimt (1862-1918)
Gustav Klimt – Adele Bloch-Bauer I
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Painter: Gustav Klimt
Location: Neue Galerie, New York.
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"Golden Adele" is Gustav’s most significant painting. The portrait of the Austrian Mona Lisa earned it scandalous fame. In 2006, it was sold for a whopping one hundred million dollars. U.S. DOLLARS. In 2015, a film "The woman in gold" was made about this canvas. The painting depicting Adele Bloch-Bauer was created under the influence of Byzantine art. The artist was inspired by Byzantine art after a visit to Venice and Ravenna.
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Description of Gustav Klimt’s Portrait of Adele Bloch Bauer I (Golden Adele)
"Golden Adele" is Gustav’s most significant painting. The portrait of the Austrian Mona Lisa earned it scandalous fame. In 2006, it was sold for a whopping one hundred million dollars. U.S. DOLLARS. In 2015, a film "The woman in gold" was made about this canvas.
The painting depicting Adele Bloch-Bauer was created under the influence of Byzantine art. The artist was inspired by Byzantine art after a visit to Venice and Ravenna. After visiting the churches, he transferred the style and manner of decorating church mosaics in gold to his paintings.
The artist depicted Adele using predominantly cold tones. The face, the hands stand out spectacularly among the other episodes of the painting. The portrait can be divided into two parts (vertically): on the right side is Adele, on the left the canvas is empty, with only a faint hint of domesticity. At the bottom of the canvas, the artist has positioned the hem of Adele’s dress.
Klimt was not afraid to experiment with the variety of techniques used in painting. He was looking for new looks for his works.
In 1907, the portrait of "Golden Adele" was exhibited in the painter’s studio in Austria. In 1910 it was exhibited in Italy. Later, the Bloch-Bauer family did not exhibit the canvas until 1918. During the war in Europe, Hitler did not take the painting into his collection - Adele was born Jewish. Therefore, such a painting could not be in the Reichstag or in Nazi Germany in general.
Adele Bloch-Bauer bequeathed after her death all paintings to the Austrian Gallery. Unfortunately, today it is no longer possible to fulfill the will of the woman in gold - all the paintings have been sold to private collections.
COMMENTS: 7 Ответы
А вот эту неплохую репродукцию предлагаю заменить просто превосходной: http://upload.wikimedia.org/wikipedia/commons/8/84/Gustav_Klimt_046.jpg
lacrimosa, спасибо, сделано
В этом портрете (как предполагают исследователи, одной из любовниц Климта) проявились все особенности стиля художника: умения рисовать (!) с натуры и создания необычного декоративного фона. Прекрасна женщина и неповторим Климт.
На Gallerix репродукция по качеству лучше чем предлагали из Wiki.
Поправка: картина находится в Нью-Йорке, но не в Музее современного искусства, а в коллекции Neue Galerie, посвященной искусству Германии и Австрии до 2-ой мировой войны.
прекрасна
Яркость не та
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The artist has employed a highly decorative style, characterized by intricate patterns and ornamentation. The gold leaf provides a shimmering backdrop, punctuated by geometric shapes – squares, rectangles, and spirals – arranged in a complex, almost overwhelming manner. These forms appear to encircle and partially obscure the figure, creating a sense of enclosure or even imprisonment within an opulent display.
The woman’s attire is equally elaborate. The dress itself is rendered with meticulous detail, featuring a high collar adorned with what appears to be a jeweled necklace. A dense network of stylized motifs – floral elements, eyes, and abstract shapes – covers the fabric, echoing the patterns in the background and blurring the distinction between figure and environment.
The color palette is dominated by gold, accented by touches of green, blue, black, and red. The limited range contributes to a sense of richness and formality, while also creating a somewhat flattened perspective. Theres an intentional lack of depth; the space seems compressed, emphasizing the two-dimensionality of the work.
Subtly, there is a tension between the subject’s apparent composure and the visual complexity surrounding her. The density of the ornamentation could be interpreted as symbolic of societal expectations or constraints placed upon women during the period. The eyes recurring within the patterns might suggest surveillance or an awareness of being observed. The gold itself, traditionally associated with wealth and status, may also hint at themes of privilege and confinement within a gilded cage. Ultimately, the painting evokes a sense of restrained elegance coupled with underlying psychological complexity.