Alexander I (in a circle with the signs of the zodiac). 1825. Lithograph. 54h38. GRM Orest Adamovich Kiprensky (1782-1836)

The lithograph presents a portrait figure set within a complex symbolic framework. A man, depicted in profile and crowned with laurel, dominates the central space. His gaze is directed towards the upper right, suggesting contemplation or perhaps aspiration. The lighting emphasizes his face, highlighting a serious, almost melancholic expression. He appears to emerge from swirling clouds, which obscure the lower portion of his form, creating an impression of divine origin or elevated status.
The figure is encircled by representations of the twelve signs of the zodiac, each rendered in a distinct allegorical style. These figures are not simply decorative; they contribute significantly to the work’s layered meaning. The arrangement suggests a cosmic alignment, implying that the mans existence and actions are governed by celestial forces. This placement within the zodiacal circle elevates him beyond the mundane, positioning him as an individual of considerable importance, perhaps even destined for greatness.
The inclusion of the year 1825 at the bottom reinforces the historical context while simultaneously anchoring the symbolic representation in a specific moment. The Cyrillic inscription further confirms this temporal grounding.
Subtly, the work conveys themes of power, destiny, and divine sanction. The artist seems to be constructing an image that legitimizes authority through association with cosmic order. The clouds from which the figure emerges suggest a connection to something larger than himself, hinting at a responsibility or burden associated with his position. The overall effect is one of solemnity and gravitas, designed to inspire awe and respect for the individual portrayed.