Portrait of an unknown young man with a folder. 1820-e. B., um. c. 19h16 Moose. Tropinin M. Orest Adamovich Kiprensky (1782-1836)

Here we observe a portrait drawing executed in graphite on paper. The subject is a young man depicted in a three-quarter pose, turned slightly towards the viewers left. He appears to be of European descent, with fair skin and dark hair styled in a fashionable cut for the period – short at the sides and longer on top, swept forward. His expression is one of quiet composure; his gaze directed off to the side, suggesting introspection or perhaps polite disinterest.
The artist has rendered the man’s clothing with considerable detail. He wears a dark double-breasted coat, likely military or formal attire, indicated by the prominent lapels and rows of buttons. The texture of the fabric is suggested through careful shading, creating a sense of depth and volume. A high collar frames his neck, contributing to an overall impression of formality and social standing.
The drawing’s tonal range is limited, relying primarily on variations in graphite density to define form and create light and shadow. This technique lends a certain delicacy and intimacy to the work. The background remains largely unrendered, allowing the focus to remain squarely on the individual portrayed. A signature appears at the bottom right corner of the paper.
Subtleties within the drawing suggest more than just a straightforward likeness. The man’s posture conveys an air of restrained confidence. His slightly averted gaze avoids direct engagement, hinting at a complex personality – perhaps reserved or thoughtful. The choice to depict him in formal attire implies a position of some importance or social status.
The absence of any specific identifying objects beyond his clothing and the implied presence of a folder (though only suggested by the angle of his arm) contributes to the portrait’s enigmatic quality. This lack of contextual detail reinforces the sense that we are presented with an individual defined primarily by his character rather than his profession or accomplishments. The drawing, therefore, invites contemplation about the subjects inner life and social position within a specific historical context – likely early 19th century Russia based on stylistic conventions.