Portrait VA Tomilova. 1813. BI on the map. , Um. c., Sang. And pastes. 22. 2h17. 8. GTG. JPG Orest Adamovich Kiprensky (1782-1836)

Here we observe a portrait study executed in sanguine chalk and pastel on paper. The subject is positioned at a three-quarter angle, facing forward with a direct gaze that establishes immediate contact with the viewer. A youthful appearance is suggested; the individuals features are rendered with a delicate precision, though softened by the medium’s inherent capacity for blending and tonal variation.
The artist has employed a loose, expressive technique. Hatching and cross-hatching define the contours of the face and neck, while softer washes of pastel create subtle gradations in light and shadow. The hair is depicted with swirling curls that frame the face, adding to an impression of youthful vitality. A high-necked garment, possibly lace or a similar delicate fabric, partially obscures the shoulders and upper chest, its texture suggested through quick, gestural marks.
The background is rendered indistinctly, fading into a warm, neutral tone which serves to isolate the figure and direct attention towards their countenance. The lack of detailed background contributes to an intimate feel, as if witnessing a private moment.
Subtleties in the rendering suggest more than just a superficial likeness. Theres a certain melancholy conveyed through the eyes – a quiet introspection that hints at inner complexity. The slightly downturned mouth and the delicate shading around the eyes contribute to this mood. It is not an overtly joyful depiction, but rather one of thoughtful contemplation.
The sketch’s unfinished quality – evident in the lightly rendered details and the visible chalk strokes – suggests it may be a preparatory study for a larger work or a quick observation intended to capture a fleeting impression. The artists focus appears primarily on capturing the essence of the sitter’s character rather than achieving photographic realism.