Portrait of Prince Pyotr Andreevich Vyazemsky. 1835. MP STD Orest Adamovich Kiprensky (1782-1836)

The drawing presents a man in profile, depicted with considerable attention to detail and shading. He is positioned slightly off-center, his gaze directed towards the viewers left. The artist has rendered him wearing spectacles, which contribute significantly to an impression of intellectualism or scholarly pursuits. His hair, thick and somewhat disheveled, frames his face, adding a touch of informality to the overall presentation.
The man’s attire consists of a dark coat with visible vertical lines suggesting texture and folds in the fabric. The artist employed hatching techniques to create depth and volume, particularly noticeable on the collar and chest area. This use of line work also contributes to a sense of immediacy and spontaneity, characteristic of a drawing rather than a finished painting.
The tonal range is limited, primarily consisting of shades of gray and brown, which lends the image a muted, almost antique quality. The paper itself appears aged, with subtle discoloration adding to this effect.
Subtly, there’s an air of melancholy or introspection conveyed through the mans expression. While not overtly sad, his features suggest a contemplative nature, perhaps hinting at a complex inner life. The profile view further emphasizes this sense of reserve and quiet dignity.
The handwritten notations in the lower right corner – dates and what appears to be a signature – provide contextual information without intruding on the visual impact of the portrait. They serve as a reminder of the drawing’s provenance and the artists hand, grounding it within a specific historical moment. The inscription at the bottom left also adds to this sense of personal connection and authenticity.

The overall effect is that of a carefully observed study, capturing not only the physical likeness but also something of the subject’s character and intellectual standing.