Kunsthistorisches Museum – Master of the Expulsion of Hagar -- Expulsion of Hagar
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The central figure of interest is the small child clinging to the woman’s leg. His posture and expression convey distress and vulnerability, immediately drawing the viewers attention to the emotional weight of the event. The man holds a staff, suggesting both authority and perhaps a degree of reluctance in his actions. He gazes forward with an ambiguous expression – it is difficult to discern whether he displays regret or determination.
The landscape itself contributes significantly to the scene’s meaning. A rocky terrain leads towards a receding path, symbolizing the uncertain future that lies ahead for the woman and child. The distant building, rendered in muted tones, hints at a place of origin from which they are being banished – perhaps representing societal structures or familial bonds now severed.
The artists use of color is noteworthy. The warm hues of the figures’ clothing contrast with the cooler greens and browns of the surrounding landscape, further emphasizing their separation and isolation. The woman’s golden garments, while indicative of her former status, also serve to highlight her vulnerability in this new, uncertain environment.
Subtly, a second figure is visible on the right side of the painting, seemingly observing the scene from a distance. This individuals presence introduces an element of voyeurism or perhaps divine observation, suggesting that the event holds broader significance beyond the immediate participants. The overall effect is one of poignant drama and emotional complexity, prompting reflection on themes of abandonment, loss, and the consequences of power dynamics.