Kunsthistorisches Museum – Roelandt Savery (1576-1639) -- Orpheus Among the Animals
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The artist has meticulously rendered a wide array of creatures: deer graze peacefully alongside horses, while various birds populate the branches overhead. A lion rests near the foreground, seemingly unperturbed by the presence of other animals. The inclusion of waterfowl at the lower edge suggests proximity to water, although the source remains largely hidden within the dense undergrowth. Each animal is depicted with a remarkable degree of naturalism, showcasing an understanding of their anatomy and characteristic behaviors.
The landscape itself is structured around a series of rocky outcrops and towering trees, creating a layered effect that draws the eye deeper into the pictorial space. The foliage is rendered in rich greens and browns, conveying a sense of abundance and vitality. Light filters through the canopy, illuminating certain areas while leaving others shrouded in shadow, adding depth and complexity to the scene.
Beyond the straightforward depiction of animals and landscape, several subtexts emerge. The central figure’s musical performance seems to exert a calming influence over the assembled creatures, suggesting themes of harmony, civilizations power over nature, or perhaps even divine grace. The presence of both wild and domesticated animals in close proximity hints at an idealized vision of coexistence – a pastoral utopia where predator and prey live side by side.
The overall effect is one of abundant life and tranquil beauty, but also carries a subtle undercurrent of melancholy. The obscured figure and the dense, almost impenetrable foliage suggest that this idyllic scene may be fleeting or inaccessible, hinting at a deeper narrative beyond what is immediately visible. It evokes a sense of longing for a lost paradise or a yearning for a harmonious relationship with the natural world – a common theme in artistic representations of the period.