Kunsthistorisches Museum – Jacopo Palma, il giovane -- Cain kills his brother
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The figure on the ground exhibits a stark contrast in demeanor and physical condition. He is pale, vulnerable, and seemingly resigned to his fate. His limbs are extended, suggesting both helplessness and a desperate attempt at resistance. The artist has paid particular attention to depicting the texture of his skin, highlighting its fragility against the robust physicality of his assailant.
Behind these two central figures, a smoldering fire occupies the right side of the painting. Around it lie scattered fruits and what appear to be bones, suggesting a failed harvest or a disrupted meal – a symbolic representation perhaps of loss and consequence. The background is indistinct, composed of dark foliage and atmospheric haze that further isolates the scene and intensifies its emotional weight.
The color palette is dominated by earthy tones – browns, ochres, and muted greens – which contribute to a sense of somberness and gravity. The limited use of brighter colors draws attention to specific areas, such as the pallor of the fallen man’s skin and the fiery glow emanating from the background.
Subtleties within the work suggest layers of meaning beyond a simple depiction of violence. The positioning of the figures implies a complex relationship – perhaps one of familial betrayal or rivalry. The presence of the fire, with its associated imagery of sustenance and destruction, hints at themes of transgression and divine punishment. The overall effect is one of profound tragedy, exploring the darker aspects of human nature and the consequences of unchecked aggression.