Joshua Reynolds – Self Portrait of the Artist as a Deaf Man
~1775. 75×61, oil on canvas
Location: Albright–Knox Art Gallery, Buffalo.
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The artist has rendered the subject with loose brushstrokes, imparting a sense of immediacy and emotional rawness. His hair is styled in the fashion of the period, but its texture appears somewhat disheveled, mirroring perhaps an inner turmoil. The clothing – a red coat over a white shirt – is depicted with less detail than the face, serving to further emphasize the subject’s countenance.
A significant element of the composition is the mans hand placed near his ear. This gesture immediately suggests a difficulty in hearing or a deliberate attempt to block out sound. It is not merely an incidental pose; it becomes a central symbol within the work. The placement of the hand, coupled with the slightly furrowed brow and downturned mouth, conveys a feeling of isolation and perhaps even pain.
The lighting is dramatic, highlighting one side of the face while leaving the other in shadow. This chiaroscuro effect intensifies the emotional impact, creating a sense of depth and complexity within the subject’s expression. The contrast between light and dark also reinforces the theme of duality – the visible versus the hidden, the heard versus the unheard.
Subtly, there is an element of vulnerability present in the portrait. The artist has not presented a heroic or idealized figure; instead, we see someone grappling with a personal challenge. This honesty lends the work a profound sense of empathy and invites contemplation on themes of communication, perception, and the human condition.